Whether YMO had anything to do this with decision is unknown but largely doubtful, as they never tried to replicate the English vocals in any future version. Most notably, they overdubbed spoken/partly sung English vocals, courtesy of Minako Yoshida, onto the jam section.

When A&M Records released the album in the United States, they took some liberties with the recording. The song was also included on a Japanese 12' intended for DJs sometime that year, with Firecracker off the same album on the B-side. The song was first released on Novemon Yellow Magic Orchestra's debut album. The song also features some improvised piano playing courtesy of Sakamoto.

This version was punctuated by Haruomi Hosono's funky bass as well a jazzy jam in the middle. The song was first recorded sometime in late 1978 for Yellow Magic Orchestra's debut album. According to Sakamoto, the idea was to write something he could envision the Beijing Symphony Orchestra playing. Written around the same time as the songs on Sakamoto's debut solo album, Thousand Knives of Ryuichi Sakamoto, the song was inspired by Chinese classical music and the cultural revolution in China.

Ryuichi sakamoto ongaku zukan rar